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Outline & structure

Acts, chapters and scenes — the skeleton the manuscript hangs on, and the two ways to look at it.

Acts, chapters and scenes #

Acts contain chapters, chapters contain scenes. Only scenes become editors in the Write tab — acts and chapters are structural containers.

Create a scene in the outline and it appears in the manuscript immediately, with an empty editor waiting. Rename it in either place and both update.

The outline in list view: acts, chapters and scenes nested, each row carrying a POV field, a word target and buttons to add beneath it.
Acts contain chapters, chapters contain scenes.

What a node carries #

Every row has a title, a POV or tag field, and a word target. Scenes also carry a synopsis, which is the part you can pin beside you while you write.

The small buttons add chapters or scenes beneath a node, pin it to the reference panel, or insert a custom page or element at that point in the book.

A single expanded scene node showing the drag handle, type badge, title, POV field, word target, add buttons, pin, and the synopsis beneath.
Everything a scene carries, including the synopsis you can pin while writing.

List view and card view #

The toggle at the top left switches between them, and both show the same outline.

List view is for reordering and setting targets. Card view is the corkboard: one card per scene carrying its synopsis, grouped by act and tinted by chapter. Click into an act or chapter to work on just that part.

The controls beside the toggle set card width, card height and the text size inside them, independently.

The outline card board: scenes as cards grouped under Act I and Act II, each tinted by the chapter it belongs to and carrying its synopsis.
Card view: grouped by act, tinted by chapter, each card carrying its synopsis.

Reordering #

Drag a node by the grip on its left. Drop between nodes to reorder at the same level, or onto a parent to nest inside it. The manuscript follows — you are moving the book, not copying text.

The sidebar tree does the same thing and is often quicker for moving a chapter between acts.

A scene being dragged in the outline, shown semi-transparent, with a horizontal line marking where it will land.
The node lifts as you drag, and the line shows where it lands.

Colors, flags and status #

Color a scene and its card takes a tint. It means whatever you decide — one color per POV, one per subplot, or red for scenes you know need work. None of it reaches the export.

Flags and scene status are set from the same right-click menu and show as a dot on the node, so problem areas are visible without opening anything.

An outline with scenes tinted in different colors by chapter, POV names filled into the tag fields.
Color means whatever you decide. None of it reaches the export.

Templates #

New Project offers Blank, three-act and five-part novel structures, short story, screenplay and research paper. A template pre-fills the outline so you are not staring at an empty panel.

It is a starting point, not a constraint — add, remove and reorganize freely afterwards.

The New Project overlay with the Template dropdown open, listing Blank, Novel three act, Novel five part, Short Story, Screenplay and Research Paper.
The template picker in New Project.